Search Results

Adam Fuss
Untitled, 2020
13620-PR

20 x 13 in. (50.8 x 33 cm)

Spore on paper
(AFF83)

Price Upon Request

Adam Lowe
Digital Prints, 1997
2301

All in a black clothbound portfolio. The printed volume includes the introduction and essays; the mounted prints constitute 22 separate versions of a single image, manipulated to demonstrate various print processes. "Each of the 22 versions of the image has its process identified in relief on the mount. The book contains detailed notes on each of the processes used in the portfolio. The main points under consideration are the suitability of the process for the image, the resolution, the surface and relief qualities, the visibility or invisibility of the dot, the way the ink or dye sits on the paper, the archival stability under daylight conditions, and the influence of the substrate in conditioning our response to the print." Limited to an edition of 100 boxed sets; each numbered and signed by the artist. The text is bound in black cloth, stamped in white. The prints measure 23 x 35 cm., mounted on 41 x 51 cm. boards. All in a black cloth Solander box. This portfolio is an in-depth study of the digital print. It aims at trying to keep the image constant, but all printing requires interpretation and an element of subjectivity is left in the hands of the printer. It allows for a meaningful comparison and foregrounds the physical differences between each process at the highest possible quality. Each of the 22 versions of the image has its process identified in relief on the mount. The book contains detailed notes on each of the processes used in the portfolio. The main points under consideration are the suitability of the process for the image, the resolution, the surface and relief qualities, the visibility or invisibility of the dot, the way the ink or dye sits on the paper, the archival stability under daylight conditions, and the influence of the substrate in conditioning our response to the print.

Price Upon Request

Adam Pendleton
Anthology #13, 2018
12162-BK

18 1/2 x 14 1/4 x 2 in. (47 x 36.2 x 5.1 cm)

Large folio with 200 compositions and a unique cover. Isolated photographs and fragments photocopied from the pages of books are layered with marks, dashes, patterns, shapes, and handwriting that frequently verges on abstraction. Each composition is unique, but many elements iterate and recombine throughout the series: masks, ceramics, phrases (“WHAT A DAY WAS THIS”; “IF THE FUNCTION”), and historical images related to modernism and decolonization in Africa. The book, which collates the works in chronological sequence, encourages readers to track these recurring components as they phase in and out across the book’s 200 pages. The compositions are directly related to Pendleton’s collages on mylar and the book translates and indexes these source collages which are usually printed on transparent film, whereas in Anthology they have been silkscreened onto Shoji paper. Reflecting on the combinatorial nature of the compositions, each book has a unique cover: a patterned black-and-white canvas fabric, screen printed with one of four handwritten texts. Copy 13 of 24

Price Upon Request

Adam Pendleton
Anthology #23, 2018
12262-BK

18 1/2 x 14 1/4 x 2 in. (47 x 36.2 x 5.1 cm)

Large folio with 200 compositions and a unique cover. Isolated photographs and fragments photocopied from the pages of books are layered with marks, dashes, patterns, shapes, and handwriting that frequently verges on abstraction. Each composition is unique, but many elements iterate and recombine throughout the series: masks, ceramics, phrases (“WHAT A DAY WAS THIS”; “IF THE FUNCTION”), and historical images related to modernism and decolonization in Africa. The book, which collates the works in chronological sequence, encourages readers to track these recurring components as they phase in and out across the book’s 200 pages.

The compositions are directly related to Pendleton’s collages on mylar and the book translates and indexes these source collages which are usually printed on transparent film whereas in Anthology they have been silkscreened onto Shoji paper. Reflecting on the combinatorial nature of the compositions, each book has a unique cover: a patterned black-and-white canvas fabric, screen printed with one of four handwritten texts.
Copy n 23 of 24

Price Upon Request

Adam Pendleton
Anthology #6, 2018
11892-BK

18 1/2 x 14 1/4 x 2 in. (47 x 36.2 x 5.1 cm)

Large folio with 200 compositions and a unique cover. Isolated photographs and fragments photocopied from the pages of books are layered with marks, dashes, patterns, shapes, and handwriting that frequently verges on abstraction. Each composition is unique, but many elements iterate and recombine throughout the series: masks, ceramics, phrases (“WHAT A DAY WAS THIS”; “IF THE FUNCTION”), and historical images related to modernism and decolonization in Africa. The book, which collates the works in chronological sequence, encourages readers to track these recurring components as they phase in and out across the book’s 200 pages.

The compositions are directly related to Pendleton’s collages on mylar and the book translates and indexes these source collages which are usually printed on transparent film whereas in Anthology they have been silkscreened onto Shoji paper. Reflecting on the combinatorial nature of the compositions, each book has a unique cover: a patterned black-and-white canvas fabric, screen printed with one of four handwritten texts.
Copy n 6 of 24

Price Upon Request